What I’m learning this year

About this time every year I post about what I’m learning from Soundcrawl; this post, however is a mashup between Dream Year and Soundcrawl.

What got you here, won’t get you there.     AND

If you keep doing what you’ve been doing, you’ll keep getting what you’ve been getting.

What strikes me most this week about what I’ve been learning is, well, let me say it this way… in counseling they have a term called “ineffective coping mechanism”  it means the stuff you do to respond to stressors that satisfies your psyche, but doesn’t actually resolve the stress. (think of the people who eat when they’re depressed).  There are ways I do that in my work, and they subtley sabotage aspects of my career.

I’m addicted to mediocre obscurity.

I balk in the face of awesome opportunities.  (it’s one of those ineffective coping mechanisms) Not because I think I can’t do the gig, but because doing the gig would make me someone else… Like an addict, I’ve effectively made my mediocre obscurity a part of my identity, and taking steps away from it means I’m moving away from a part of myself.  It’s incredibly goofy, I know, but no one said our psyches were supposed to make sense!

In the end, I have to re-frame and re-Cast myself.

I’ve previously cast myself as the “tortured genius” or other such nonsense.  Dream Year has helped me recast myself as a Designer & Impressario.  Changing how I talk about my projects and how I talk to other professional creatives has been eye-opening.  They had a lot more respect for me and my work than I ever realized. But, as long as I played the role of know-it-all-kid-brother, they treated me that way.

 

I’m not as focused as I think I am.

I’ve read the books, and seen the methods.  I work long hours relentlessly.  I thought that’s what it took to succeed and it was just life getting in my way.  Whoops.  Then I realized my time needs more structure, and a lot of my “research” was just playtime.  Actually being down when it’s “downtime” and actually producing work when its “worktime” has made a small but steady impact on my output.

speaking of downtime; it’s 12:15am as I write this.  See you all in 7 hours.

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Kickstarter Project

Hey There!

This is one of those times in my life where I don’t blog much. Sorry. :D

Soundcrawl is humming along, and we have a tremendous opportunity in front of us:  To build a hologram.  [no kidding]

We’ve launched a kickstarter campaign to fund the build.  Please consider supporting us!

http://www.kickstarter.com/projects/kylejbaker/build-the-soundcrawl-hologram

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Audience

I am reconsidering my view of Audience.

Heretofore I haven’t really thought about their state of mind, their cultural context, their motives, etc. It’s almost like a forgotten character. I’ve behaved mostly like a self-obsessed artist, ignoring the audience in favor of self-indulgence. I hadn’t really realized it until a post of mine caught the ire of a former colleague. The experience was tense enough that it’s created negative reinforcement in my writing and thinking.   My writing is much better because of it, and once it affected my writing, it began to affect my thinking, and I now see all my projects in a new way.

The live event audience wants entertainment. The difficulty of “new genres” of work is that it can confuse the audience.   As an artist, I love coloring outside the lines, but I often hurt my cause in the process.  I’m thinking they will love me for the sheer genius of the event but I’m often mistaken.  Their thinking is more like:

“whadya want to do this weekend?”

“I dunno. There’s a thing at the art crawl”

“what’s it like? Is it free?”

In my magazine articles, I’m not always in a clear genre: is this an article or an essay? is it how-to, or philosophical? Is this just a personal rant?  Worse yet, I act like I’m writing for other people just like me… which is hardly ever true. I’m beginning to ask myself some really basic questions while I write: what do they want out of this? how will they use this information?

In my church programming, I forget that the congregation just fought with their family on the way in, spilt their coffee in the car, shuffled their kids to the children’s ministry, pasted a smile on their face and sat down next to their spouse.  Here I am trying to craft a “NT Wright Meets Mos Def backed by the LA Phil” moment and they aren’t even CLOSE to being ready for it. Nothing we present is exists in some objective, abstract space (which is where I tend to create it). It exists here. Now. With these people. Who are these people? What are their motivations in this scene? Church itself is a genre that existed long before I ever got to it.

All this is strangely embarrassing to me because I consider myself adept at this ‘creative professional’ game.. and here I am re-learning a very basic concept.

Soundcrawl, before it’s anything else, needs to be a great night out. Something people tell their friends about.

My articles need to be articles.  Help other people either think differently, act differently, or be entertained. Essays should be on this blog.

 

To build an audience or platform will mean exceeding expectations.

Somewhere in that exceeding of the expectations needs to be at least an acknowledgement of the expectations.

I now see my audience (whomever they may be) as people. And people have stories. Those stories have beginnings, middles and ends. This leads to the following questions, which I now consider as I create:

Who is my audience?  What were they doing before this piece?  What will they do after this piece? What will they be thinking of during this piece?

 

 

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So you wanna move to Nashville…

So I had a very pleasant conversation with a potential-Nashvillian, and it got me thinking.  Like every other “music pro” (quotes intentional) in Nashville, I have my list of advice, and I started to give it and then I realized… I HAVEN’T FOLLOWED THEM MYSELF!  Ha!

1) Expect to work for free for 2-3 years. At a professional level. Depending on which market you’re in it can take multiple projects/albums.  I’ve wrecked almost 3 potential careers by charging too early, or doing work that was sub-par. There may have been a time when you could make it on a “song and a dream” but 2011 is not that time. They want to know you’re serious (and they want to know what it will sound like when you’re done…)  So, to get published you need to write a book.  To get signed you need to release albums and tour. To be an orchestrator/arranger, you need to already have a body of work…

2) Build a property.  They’ll come to you.  They say that about film projects, but I believe it’s true about any form of entertainment or media: websites, conferences, books, bands, etc. The age of patronage is over. The moneybags wont show up (if they ever do) until you already have a following.  And if you build a following and they don’t show up, who cares! You have a following!

3) Show up early to find that coffee-shop job. I was really unprepared for how difficult it is to find a part-time job in this town, but with 5 universities and a small army of semi-employed musicians and artists.. it really can be difficult.   It took me 3 months (and I didn’t start looking until I had already spent through my savings…)

There are a few Nashvillians who read this  blog: Any other suggestions, guys?

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Storytelling:

One: I’m pleased to announce I have an article over at CollideMagazine.com today.

The post is about Storytelling.  In that vein-

 

 

 

One of the many posters available in my shop.- One of the many ways I spread beautiful ideas.

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God’s Part, Our Part, Their Part

One of the best things happening right now at Harpeth is Relational Discipleship, which is a particular way of leading and developing each other through small groups.  The ideas in it come from a church in Idaho led by a guy named Jim Putnam, and Jim has a saying which I’m about to reference: “God’s Part, Our Part, Their Part.”

Jim means “You need to do what you know God’s asking of you- how they respond is their decision.”  Sometimes in life God leads, we respond, and nothing seems to happen.  From the outside, it can look strange- if God tells you something shouldn’t it be 100% accurate? Yes it would be, if it weren’t for all those darn humans  (and their free will) in the way.

This is very true right now in two households we know very well.    The first is our house:  We are not moving to Atlanta.  We announced an upcoming move in April, and now it looks like it will not be happening.   At the time, the courtship and phone calls with the institution in question were strangely wonderful, and it was clear to both of us that God was asking us  to step out of our roles in Nashville and prepare to move.  God called me to Harpeth, and God called me out of Harpeth.   But, we’re not moving.

The second household’s story needs a bit of setup: Last winter, a lady came to the front of the church and told the preacher that God was telling her to share something- The something was “There’s a baby that needs to be adopted, and its parents are in this room.” She was convinced it was God, the Preacher was too, and our friends the Honetts were convinced that they were the couple she meant. So they began the adoption procedures, and announced to their friends and families that they’d be bringing Lincoln home around February.  Home visits, lawyers, and time with the birthmom, Sunshine.    Our friends AND the liason lost contact with Sunshine during her third trimester, and as far as I know still haven’t heard from her.  BUT, it seemed God had a plan B: in January, a nashville friend was in a rough spot, and wanted to know if the Honetts would adopt her unborn baby.  Plans continued: sold the treadmill, bought a crib, stocked up with diapers, paid for dr’s appointments  and yet…  she kept the baby.

Where’s God in all of this?   God’s part, our part, their part.

I think it’s important to share this stuff publicly, because it’s more common than we realize.  Not every call from God comes to fruition the way we expect. That doesn’t mean we misheard him, or should doubt him in the future. Our role is still to act on the whisper: be open to what He’s asking of us and follow it through. Other people make their own choices.

The inverse is also true: I’ve been across the table from people who were very likely following a whisper on their side: Would you join us in what God’s doing here?   And I made a decision to decline.

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Monday Predictions: Food Industry

It’s hard to say why I care, but I’ve worked in hospitality for while, and I pay attention to trends, let’s call this 3 to 5 years for the restaurant/food industry:

  • Someone will build a national brand of Latino Supermarkets. Either Kroger or Whole Foods will buy them.
  • Someone will build a national brand of Indian food (a la Pei Wei or similar)
  • Panda Express will become the national brand for budget chinese.
  • A quick-service restaurant will use Apples mobile checkout’s to take orders.  A competitor (possibly Panera) will put touchscreen order-kiosks at the tables.

 

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Monday Predictions: 5 year (2016-2017)

  • Suburban Megachurches will find a new model. (Right now we’re aware of the weaknesses of the model, but a successful alternative hasn’t really found widespread acceptance. Furthermore, many of these congregations are facing pastoral transitions as the founding baby boomer ministers retire.)
  • Brooklyn’s prominence in indie music will fade.  Nashville might take it’s place. (Or either Asheville NC, or Chicago, IL)
  • David Crowder will continue his worship conference full time.  Michael Gungor will contribute.
  • DCI will add visual projections. The Cadets will use a hologram.

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Poster Series: Storytelling

I’m a fan, curator, and promoter of Beautiful Ideas. I’ve begun to encapsulate many of them in posters that I envision hanging in the offices and “war rooms” of the people and organizations that share my convictions.Storytellers have a problem.  We dream too much, and seem to have a smaller box of crayolas than we need.   Now, on one hand, I have my morose clinically depressed artist friends- they see the injustices, the conspiracies and the overwhelming weight of life as we know it.  On the other hand, I have some happy-go-lucky sentimental church friends, you know, the ones who pass on the emails.

If either group sits to write a novel, short story or even an iPad app, they FAIL to create a compelling experience by  self-indulgently ignoring the other half of our human experience.   Yes humans invented ice cream, vacations, air conditioning, and city parks.  We also invented prostitution, murder, torture, and fraud.  At the end of the day, the “human experience”  – the “human condition”  is BOTH realities.  Our heroes have weaknesses: wine, women, broken homes, addictions.  Our villans have pet dogs and grandmothers.    I read once that Che Guevara was a fanatical baseball fan. He and his men (when they weren’t waging a civil war) had a league.

Our Christian story– the story of God interacting with his people– BEGINS with our dark and evil selves.  When we lessen our depravity, we reduce the beauty of His redemption.  Likewise, when we lessen the darkness in our stories, our characters lose depth.  With no shadows, there is no perspective, and worst of all, you cannot recognize the infinite brightness of the sun.

We weaken our ideas and God’s transcendence when we deny the existence of real evil in our creations.

 

 

 

Sweeten the deal: The poster itself is available for $10 + shipping via Etsy.  However, If you subscribe via email in the next 7 days, I’ll email you the pdf for free.

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Monday Predictions: 2011-2012

Hang on, this’ll be bullet points. These are my predictions for

academic year 2011-2012 :

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